The jury of this second edition has awarded Italian photojournalist Alessio Romenzi, for his great work in Syria : “Surviving in Syria”.
The report
The civilian unrest in the Syrian Arab Republic has been ongoing since March 2011 and is continuing to affect civilians, particularly in the most vulnerable segments of the population. The situation keeps on deteriorating in villages and cities in the country, leaving people without protection, shelter, food and water. Many civilians have been killed while many others are facing fear every day. While large numbers were able to leave Syria and take refuge in neighboring countries, many have not been able to leave and are constantly exposed to conflict and violence.
Biography
Alessio Romenzi, born in 1974, is currently based in the Middle East. He has been extensively covering the so-called Arab Spring since the beginning, with a special focus on Egypt and Libya. He later moved to Syria, one of the first photographers to be smuggled in the country when the regime of Bashar al-Assad started to resort to heavy fire against the opposition, and to deny entry to journalists.
His shots regularly appear in major magazines worldwide as well as in major international organizations’ media outlets – including Amnesty International, Fao, Unicef, International Red Cross, Save the Children, Terres des Hommes, War Child International among others. When asked about the motives underlying his work, however, he never has something conclusive to say. He simply thinks a camera is the best way he has not to forget what’s going on out there. »
« I was interested in Syria since the beginning of the uprising of the Arab world and the ensuing civil war caught my attention right from the start. However, having access and being able to get inside the country was difficult: with the accelerating violence and unstable situation, it became almost impossible for journalists to know when and how to access hot spots of the conflict. At a crucial and defining moment for myself, I decided to go to Lebanon and wait for the right moment to get into Syria. It took me a lot of time to find a way in and it was not without hazards. Once inside, I had the chance get to the very heart of the conflict and to share with civilians their own tragic and hazardous experiences. I spent more than two months with Syrian families as well as with members of the Free Syrian army, trying to understand what they were thinking, feeling and experiencing. This is how I happened to be invited to capture their lives in very private moments. The purpose of this work is to raise awareness on what is happening in Syria and to make people reflect on the destruction and pain that war brings to people’s lives. »